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Activate Your Voice: Avoid the Passive Prose These days, with so much competition, you might need more than a clever plot to attract readers.

Active, energetic prose will bring your scenes and characters to life.

Most important, you’ll learn how to “feel” the action of the scene and use words to create that experience for the reader.Every time I teach a class on point of view and I mention head hopping someone tells me that Nora Roberts does it.Of course, this isn’t – for the most part anyway – true.Nora uses what I call a signaled point of view shift, which if carried out carefully, and not too often can help increase the tension and conflict within a manuscript.During this free class we’ll cover the various types of point of view shifts – where and how to do them.

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